A cheerful paper donkey piñata sits on stage at the start of Sarah Bennetto’s All My Life’s Mistakes, Catalogued (Volume One). It’s hardly much of a spoiler for us to reveal that, by the end of the show, Bennetto and her audience have conclusively smashed that ass. Given how much work was involved in getting her fleet of donkey punchbags to Edinburgh in the first place, Bennetto could forgiven if she refused to allow them to be breathed on heavily, let alone destroyed (the saga of #27donkeypiñatas made quite a splash on social media at the start of the Fringe).

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