There are moments of really great absurdist comedy in Back To Back, but they’re infrequent and inconsistent. There are enough of them that’s it’s easy to see where Róisín O’Mahony and Chiara Goldsmith have set their aim – which makes it all the more frustrating that it rarely quite kicks into gear. It’s experimental in both the positive and negative sense, and feels a bit unfinished as a consequence.

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